Wind Instrument Exhibitors 1851 – 1862IntroductionThe following table presents a listing of all wind instrument exhibitors who participated in at least one of the first three great International Exhibitions – those held in London in 1851, in Paris in 1855 and again in London in 1862. In the columns headed by the three Exhibitions, the term (pass) indicates that the exhibitor in question was definitely in business at the time and could have participated, but chose not to do so. The term N/A indicates either that the exhibitor was not in business (and hence not in a position to participate) or that his status at the time is unclear. Exhibitors for whom Flutes are given as the exhibit often exhibited more than just flutes. But we have singled out these exhibitors in view of their special interest for us. Those whose exhibition of flutes is uncertain based on current information are simply indicated by the various categories of instruments which they displayed. Some of those shown as having displayed “Woodwinds” undoubtedly did display flutes, but we have no hard evidence to confirm this at present. The
information in this table is largely extracted from the New Langwill
Index, supplemented by such records of the Exhibitions of 1851, 1855 and
1862 as we have been able to find to date. In some cases, Langwill was
found to be inconsistent with contemporary sources, and we have gone along
with the contemporary evidence in such cases. |
Maker |
City |
Country |
Active |
London 1851 |
Paris 1855 |
London 1862 |
Ahlberg & Ohlsson |
Stockholm |
Sweden |
1850 - p1950 |
Brass |
(Pass) |
(Pass) |
Albert, Eugene |
Brussels |
Belgium |
1842 - 1895 |
(Pass) |
(Pass) |
Flutes |
Association Fraternelle d’ouvriers facteurs |
Paris |
France |
1848 – c1860 |
(Pass) |
Woodwinds, Brass |
N/A |
Badger, Alfred G. (on Charles Goodyear’s stand) |
New York |
USA |
1838 - 1892 |
Flutes |
Flutes |
(Pass) |
Barbu, J. P. |
Paris |
France |
1862 – 1899 |
N/A |
N/A |
Woodwinds |
Bauer, Eduard Johann |
Prague |
Austria |
1836 - 1871 |
(Pass) |
(Pass) |
Brass |
Besson, G. A. |
Paris |
France |
1838 – p1950 |
Woodwinds, |
Woodwinds, |
Woodwinds, Brass |
Böhm, Theobald |
Munich |
Zollverein |
1828 - 1888 |
Flutes |
Flutes |
Flutes |
Bohland, Gustav |
Graslitz |
Austria (at the time) |
1850 - 1870 |
(Pass) |
(Pass) |
Brass, Woodwinds |
Boosey & Co. |
London |
England |
1851 - 1930 |
(Pass) |
(Pass) |
Flutes |
Boose, Carl |
London |
England |
Mid c.19 |
Woodwinds |
N/A |
N/A |
Breton, J. D. |
Paris |
France |
1844 - 1874 |
Flutes |
Flutes |
Flutes |
Buffet-Crampon |
Paris |
France |
1839 - 1950 |
(Pass) |
Flutes |
Flutes |
Buffet, Auguste jeune |
Paris |
France |
1830 - 1885 |
Flutes |
Flutes |
Flutes |
Buthod & Thibouville |
Paris |
France |
1857 - 1867 |
N/A |
N/A |
Brass |
Callcott, John |
London |
England |
1842 - 1861 |
Brass |
(Pass) |
N/A |
Card & Co. |
London |
England |
1825 - 1876 |
Flutes |
(Pass) |
Flutes |
Cerveny, V. F. |
Königgrätz |
Austria |
1842 - 1946 |
Brass |
Brass |
Brass |
Chappell, S. A. |
London |
England |
1862 - 1901 |
N/A |
N/A |
Flutes, Brass |
Clinton & Co. |
London |
England |
1855 - 1871 |
N/A |
(Pass) |
Flutes |
Courtois, Auguste |
Paris |
France |
1847 - 1862 |
Brass |
Brass |
(Pass) |
Courtois, Denis Antoine fils |
Paris |
France |
1844 - 1947 |
Brass |
Brass |
Brass |
Courtois, neveu ainé |
Paris |
France |
1803 – a1862 |
Brass |
Brass |
(Pass) |
Couturier |
Lyon |
France |
1812 – p1900 |
(Pass) |
Brass |
(Pass) |
Darche |
Paris |
France |
1830 - 1865 |
(Pass) |
Brass |
Brass |
David, Louis |
Paris |
France |
1836 - 1873 |
(Pass) |
(Pass) |
Brass |
Distin, Henry J. |
London |
England |
1850 - 1868 |
(Pass) |
(Pass) |
Brass |
Dujariez, E. J. M. |
Paris |
France |
1829 - 1855 |
(Pass) |
Brass |
(Pass) |
Ehrenhoffer, Franz (listed in 1855 as “Herrnhoffer”) |
Vienna |
Austria |
1853 - 1868 |
N/A |
Brass |
(Pass) |
Eisenbrandt, C. H. |
Baltimore |
USA |
1819 - 1949 |
Flutes |
(Pass) |
(Pass) |
Felchlin, Charles |
Berne |
Switzerland |
1836 - 1855 |
Flutes |
(Pass) |
(Pass) |
Fontina, Andrea (aka Fortini) |
Carrara |
Italy |
1851 - 1883 |
Flutes |
(Pass) |
(Pass) |
Forni, Egidio |
Milan |
Italy |
p1847 - 1872 |
(Pass) |
(Pass) |
Flutes |
Gautrot ainé |
Paris |
France |
1845 - 1884 |
Flutes, Brass |
Flutes, Brass |
Flutes, Brass |
Gisborne, James |
Birmingham |
England |
1839 - 1913 |
Brass |
(Pass) |
(Pass) |
Glier, Ferdinand & Sons |
Klingenthal |
Zollverein |
mid c. 19 |
Brass |
N/A |
N/A |
Glier, Gottleib |
Markneukirchen |
Zollverein |
mid c. 19 |
Flutes |
N/A |
N/A |
Godefroy, Clair ainé |
Paris |
France |
1814 - 1888 |
Flutes |
Flutes |
Flutes |
Grandjon, Jules |
Ivry-la-Bataille |
France |
a1855 - 1890 |
N/A |
Woodwinds, Brass |
(Pass) |
Guichard, A. G. |
Paris |
France |
1827 – p1855 |
(Pass) |
Brass |
(Pass) |
Gyssens, Fr. Joseph |
Paris |
France |
1845 – c1862 |
(Pass) |
Woodwinds |
(Pass) |
Halary |
Paris |
France |
1804 – p1873 |
(Pass) |
Brass |
(Pass) |
Heckel, T. A. |
Biebrich |
Zollverein |
1831 - p1950 |
Woodwinds |
(Pass) |
(Pass) |
Hell, Ferdinand |
Vienna |
Austria |
1841 - 1869 |
Woodwinds, |
(Pass) |
(Pass) |
Helwert, Jakob David |
Stuttgart |
Zollverein |
1844 - 1866 |
Woodwinds |
(Pass) |
(Pass) |
Henri & Martin |
Paris |
France |
1855 - 1865 |
N/A |
(Pass) |
Brass |
Herold, C. G. |
Klingenthal |
Zollverein |
1793 - 1900 |
Woodwinds, Brass |
(Pass) |
(Pass) |
Hertig, Johann |
Berne |
Switzerland |
1846 - 1885 |
(Pass) |
(Pass) |
Brass |
Higham, Joseph |
Manchester |
England |
1842 - 1950 |
(Pass) |
(Pass) |
Brass |
Houzé & Cie. |
Paris |
France |
1848 – p1855 |
(Pass) |
Brass |
(Pass) |
Hübscher, Christian |
Stockholm |
Sweden |
1848 - 1864 |
Brass |
(Pass) |
(Pass) |
Husson-Buthod & Thibouville |
Paris |
France |
1857 - 1862 |
N/A |
N/A |
Woodwinds, Brass |
Jordan, James |
Liverpool |
England |
1830 - 1852 |
Brass |
N/A |
N/A |
Kandler, Daniel |
Vienna |
Austria |
1854 - 1903 |
N/A |
(Pass) |
Brass |
Klein, C. |
Mainz |
Zollverein |
Mid c. 19 |
Woodwinds, Brass |
N/A |
N/A |
Klemm, Georg & August |
Markneukirchen |
Zollverein |
1851 - 1930 |
Brass |
(Pass) |
(Pass) |
Knechtel, Sebastian |
Vienna |
Austria |
C1842 - 1873 |
(Pass) |
Woodwinds |
(Pass) |
Köhler, John |
London |
England |
1834 - 1863 |
Brass, Woodwinds |
(Pass) |
(Pass) |
Kohlert, V. F. |
Graslitz |
Austria (at the time) |
1840 - 1880 |
(Pass) |
(Pass) |
Woodwinds |
Labbaye, J. C. |
Paris |
France |
1841 - 1878 |
Brass |
Brass |
Brass |
Lamperhoff, J. & A. |
Essen |
Zollverein |
1844 - 1924 |
Flutes |
(Pass) |
(Pass) |
Lausmann, Josef Wenzel |
Linz |
Austria |
1855 - 1880 |
N/A |
Flutes |
Flutes |
Lecomte, Arséne Zoë |
Paris |
France |
1859 - 1910 |
N/A |
N/A |
Brass |
Losschmidt, Franz |
Olmütz |
Austria |
1852 – p1867 |
N/A |
Woodwinds |
(Pass) |
Lot, Louis |
Paris |
France |
1855 - 1950 |
N/A |
Flutes |
Flutes |
Macfarlane, George |
London |
England |
1845 - 1860 |
Brass |
(Pass) |
(Pass) |
McPherson, J. & Sons |
Montreal |
Canada |
Mid c. 19 |
Woodwinds, Brass |
N/A |
N/A |
McNeill, John |
Dublin |
Ireland |
1834 - p1950 |
Brass |
(Pass) |
(Pass) |
Mahillon, Charles |
Brussels |
Belgium |
1836 - 1935 |
Woodwinds, Brass |
(Pass) |
Woodwinds, Brass |
Martin fréres |
Paris |
France |
c1840 - 1927 |
Woodwinds |
Flutes |
(Pass) |
Marzoli, Angelo G. P. |
Paris |
France |
1855 - 1865 |
N/A |
Woodwinds |
Woodwinds |
Meinl, Daniel |
Vienna |
Austria |
1849 - 1873 |
(Pass) |
(Pass) |
Brass |
Metzler & Co. |
London |
England |
1833 - 1936 |
(Pass) |
(Pass) |
Brass |
Michaud & Cie. |
Paris |
France |
1833 - 1872 |
(Pass) |
Brass |
(Pass) |
Mille, Auguste |
Paris |
France |
1856 - 1898 |
N/A |
N/A |
Brass |
Missenharter, Charles |
Ulm Stuttgart |
Zollverein |
1856 – 1861 |
N/A |
N/A |
Brass |
Müller, C. A. |
Mainz |
Zollverein |
1827 - 1903 |
Brass |
(Pass) |
(Pass) |
Muller, Louis |
Lyon |
France |
p1836 - 1867 |
Woodwinds, Brass |
Woodwinds, |
(Pass) |
Nonon, Jaques |
Paris |
France |
1853 - 1867 |
N/A |
Flutes |
(Pass) |
Oates, Joseph |
Lichfield |
England |
mid c. 19 |
Brass |
(Pass) |
Brass |
Obry |
Amiens |
France |
mid c. 19 |
N/A |
Wind Insts. |
N/A |
Osch, Edigus van |
Maastricht |
Holland |
1849 - 1885 |
(Pass) |
(Pass) |
Brass |
Ottensteiner, Georg |
Füssen |
Zollverein |
1849 – 1851 |
(Pass) |
Woodwinds, Brass |
(Pass) |
Pace & Sons |
London |
England |
1830 - 1883 |
Brass |
(Pass) |
(Pass) |
Pask, John |
London |
England |
1840 - 1871 |
Flutes |
(Pass) |
(Pass) |
Paulus, Friedrich August |
Braunschweig |
Zollverein |
1858 - 1871 |
N/A |
N/A |
Brass |
Pélison |
Paris |
France |
Mid c. 19 - 1931 |
N/A |
N/A |
Brass |
Pelitti, Giuseppe Clemente |
Milan |
Italy |
1828 - 1905 |
Brass |
Brass |
Brass |
Pellerin, Charles Alexandre |
Paris |
France |
mid c. 19 |
Brass |
N/A |
N/A |
Pfaff, Georg Michael |
Kaiserslautern |
Zollverein |
1851 - 1864 |
Flutes, |
Brass |
(Pass) |
Pfaff, Johann (most likely in association with Georg) |
Philadelphia |
USA |
1843 - 1888 |
Flutes |
(Pass) |
(Pass) |
Piatet & Benoit |
Lyon |
France |
1836 – p1855 |
(Pass) |
Woodwinds, Brass |
N/A |
Piering, Theodor |
Hamburg |
Zollverein |
Mid c. 19 |
N/A |
N/A |
Woodwinds, Brass |
Potter, Henry |
London |
England |
1841 - p1950 |
Flutes |
(Pass) |
Flutes |
Riedl, Josef Felix |
Vienna |
Austria |
1812 – 1862 |
Brass |
Brass |
(Pass) |
Riedl, Johann |
Budapest |
Hungary |
mid c. 19 |
N/A |
N/A |
Brass |
Roeder, Charles |
Vienna |
Austria |
mid c. 19 |
N/A |
N/A |
Woodwinds |
Roth, Charles (entered as G. Roth – family member?) |
Strasbourg |
France |
1844 - 1881 |
Woodwinds |
Flutes |
(Pass) |
Rott, Augustin Heinrich |
Prague |
Austria |
1839 - 1868 |
Brass |
Brass |
Brass |
Rott, Vincenz Josef |
Prague |
Austria |
1841 - p1854 |
Brass |
(Pass) |
(Pass) |
Rudall, Rose & Co. |
London |
England |
1821 - `1852 |
Flutes |
N/A |
N/A |
Rudall, Rose, Carte & Co. |
London |
England |
1852 - 1871 |
N/A |
(Pass) |
Flutes |
Ruggiero, Cesare |
Naples |
Italy |
1855 - 1914 |
N/A |
N/A |
Brass |
Samson, George Robert |
London |
England |
Mid c.19 |
N/A |
N/A |
Brass |
Sax, Adolphe |
Paris |
France |
1843 - 1894 |
Woodwinds, Brass |
Woodwinds, |
Woodwinds, Brass |
Sax, Alphonse |
Brussels |
Belgium |
1845 – 1851 |
(Pass) |
(Pass) |
Brass |
Schamal, Wenzel |
Prague |
Austria (at the time) |
1842 - 1879 |
(Pass) |
(Pass) |
Brass |
Schultz, Leberecht Wilhelm |
Meiningen |
Zollverein |
1835 –p1851 |
Brass |
N/A |
N/A |
Schuster, Gebrüder |
Markneukirchen |
Zollverein |
1854 - p1929 |
N/A |
(Pass) |
Woodwinds, Brass |
Schuster, Ludwig |
Markneukirchen |
Zollverein |
1851 - 1862 |
Brass |
(Pass) |
(Pass) |
Schuster, Michael junior. |
Markneukirchen |
Zollverein |
1844 – p1851 |
Woodwinds, Brass |
N/A |
N/A |
Seidel, Josef Franz |
Mainz |
Zollverein |
1846 - 1869 |
Flutes |
(Pass) |
Woodwinds, Brass |
Selboe, Johan Christoffer |
Copenhagen |
Denmark |
1837 - 1873 |
Flutes |
(Pass) |
(Pass) |
Serpek, Josef |
Vienna |
Austria |
Mid c. 19 |
N/A |
N/A |
Brass |
Shaw, John |
Glossop |
England |
a1851 - 1894 |
Brass |
(Pass) |
(Pass) |
Siccama, Abel |
London |
England |
1848 - 1862 |
Flutes |
(Pass) |
(Pass) |
Simpson, John |
London |
England |
c1826 - 1869 |
(Pass) |
(Pass) |
Flutes |
Skorra, Carl Eduard |
Berlin |
Zollverein |
1838 – p1865 |
(Pass) |
(Pass) |
Woodwinds |
Societé des Facteurs |
Paris |
France |
1848 – p1855 |
(Pass) |
Woodwinds, Brass |
(Pass) |
Sommer, F. |
Jauer, Silesia |
Zollverein |
Mid c. 19 |
Brass |
N/A |
N/A |
Sperk, J. |
? |
Austria |
Mid c. 19 |
N/A |
N/A |
Brass |
Stegmaier, Ferdinand |
Ingolstadt |
Zollverein |
1852 - 1890 |
N/A |
(Pass) |
Brass |
Stehle, Johann |
Vienna |
Austria |
c1830 - 1876 |
Woodwinds |
(Pass) |
(Pass) |
Stöhr, Franz Xavier |
Prague |
Austria |
1829 - 1876 |
Brass |
Brass |
(Pass) |
Stöhr, Josef (son of above) |
Prague |
Austria |
c1860 - 1881 |
N/A |
N/A |
Brass |
Stowasser, Ignaz |
Vienna |
Austria |
1838 – a1914 |
(Pass) |
Brass |
Brass |
Tamplini, Giuseppe (with Corneluis Ward |
London |
England |
mid c. 19 |
Woodwinds |
N/A |
N/A |
Theisz, S. |
Hermannstadt |
Austria |
Mid c. 19 |
Woodwinds, Brass |
(Pass) |
(Pass) |
Thibouville, Martin ainé |
Paris |
France |
1848 – p1894 |
(Pass) |
Woodwinds |
Woodwinds |
Triebert, Frederic |
Paris |
France |
1810 – early c. 20 |
Flutes |
Flutes |
Flutes |
Tulou, Jean-Louis |
Paris |
France |
1831 - 1859 |
Flutes |
Flutes |
N/A |
Uhlmann, Joseph |
Vienna |
Austria |
a1843 - 1859 |
Flutes |
(Pass) |
N/A |
Vinatieri, Fortunato |
Turin |
Italy |
a1861 - 1883 |
N/A |
N/A |
Brass, Flutes |
Waddell, James |
London |
England |
mid c. 19 |
N/A |
N/A |
Brass |
Wahl, I. V. |
Landskrona |
Sweden |
1818 - 1911 |
(Pass) |
Woodwinds, Brass |
(Pass) |
Ward, Cornelius |
London |
England |
1836 – c1870 |
Flutes |
(Pass) |
(Pass) |
Widman, Josef Ignaz |
Freiburg im Breisgau |
Zollverein |
1838 - 1863 |
Woodwinds |
(Pass) |
(Pass) |
Wilson, William |
London |
England |
mid c. 19 |
N/A |
N/A |
Flutes |
Witton (probably exhibiting on behalf of Jordan Wainwright) |
? |
Australia |
mid c. 19 |
N/A |
N/A |
Flutes |
Ziegler, Johann |
Vienna |
Austria |
1821 – p1895 |
Flutes |
(Pass) |
Flutes |
Some very interesting observations arise from a study of the above table. The four main protagonists at these Exhibitions were clearly France, England, Austria (then a substantially larger country than it is today) and the Zollverein (or “German Customs Union”, an early free-trade grouping of states under which title the German exhibitors entered these events). These four countries alone accounted for well over three quarters of the total for all three Exhibitions. The breakdown is as follows:
It seems clear from these figures that France held a commanding lead at the time in terms of its involvement in wind instrument production. It is highly instructive to look at the numbers of wind instrument exhibitors from the four main protagonists at the various events:
The really striking thing is the almost complete absence of any serious outside challenge to the French exhibitors at the Paris event of 1855 apart from the Austrians, who held their ground. No exhibitors showed up from England, and only three from the Zollverein. It appears from this that the exhibitors from England and Germany saw the Paris Exhibition as an “inside job” in which they stood to gain nothing but rather only to be humiliated by their French rivals. Something of an inferiority complex is indicated here …….the security of home ground seems to have appealed to them! It is also true to say that their concerns may have had some basis - the 1855 event was specifically organized by the French in retaliation for the 1851 Exhibition, at which they felt that their accomplishments had been undervalued by comparison with the host country Great Britain – in fact, Paris 1855 was known to contemporaries as “the revenge for 1851”!! By contrast, the French were happy to take on the others wherever the opportunity offered – they actually increased their numerical presence at the 1862 event in London by comparison with 1851, presumably because they interpreted the non-appearance of the British exhibitors in 1855 as a concession of inferiority and had been denied the opportunity to rub salt in that particular wound in 1855! Clearly, they had a high level of confidence in the ability of their products to stand comparison with those of all comers, regardless of the venue. Their confidence may well have been justified. As an aside, it is also highly instructive to note that of the 71 wind instrument exhibitors in 1851, fully 34 of them (nearly half) seem to have decided that the effort was not worthwhile and did not appear at either of the subsequent exhibitions. Perhaps a rather telling statistic – the effort involved may have been out of proportion to the return!! |
We have dealt elsewhere with the flutes displayed at the 1851 Exhibition, which inaugurated this style of World Exposition. In 1851, 25 exhibitors are known to have displayed flutes. This was down to only 13 at Paris in 1855, largely due to the non-appearance of England and a very sparse effort from the Zollverein. In fact, the Paris event turned out to be more of a showcase for French makers than anything else, and the lack of any serious challenge from elsewhere makes the event of relatively little interest in the context of comparative flute studies. It also indicates a very marked lack of confidence on the part of the English and Zollverein makers regarding their ability to compete with the French on their home turf. This last point was clearly not lost on the French. The London Exhibition of 1862 was over twice as large as that of 1851 in terms of overall exhibitor participation and was also considerably larger than the Paris event of 1855. In terms of wind instrument exhibitors, the English manufacturers had returned, along with the strongest showing yet from Austria and a partial recovery on the part of the Zollverein. And while French participation was considerably lower than it had been in Paris in 1855, it was still substantially higher than it had been in 1851. As a result of these factors, the overall number of wind instrument exhibitors (as opposed to those specifically exhibiting flutes) had essentially recovered to 1851 levels despite the previously-noted failure of almost half of the wind instrument exhibitors from 1851 to return in 1862. Their numbers had been made up for by the appearance of many new exhibitors, notably those from France and some from Austria. However, given the fact that the overall scale of the 1862 Exhibition was far larger than that of 1851, with well over double the number of exhibitors, the recovery in the number of wind instrument exhibitors to 1851 levels was not in fact a recovery at all in proportional terms - in relation to the overall participation from all sectors, the 1862 event actually attracted proportionally far fewer wind instrument participants. Doubtless, if the USA had not been preoccupied with the Civil War at the time, they would have made a very strong showing and increased the numbers considerably. We will never know ………. Furthermore, despite the recovery to 1851 numbers by the wind instrument sector , the 22 flute exhibitors still represented a lower number than had been present in 1851. In other words, the proportion of wind instrument exhibitors displaying flutes was slightly lower than it had been in 1851. Not only that, but a substantially higher proportion of those that did exhibit flutes appear to have viewed the flute as a sideline and to have been more focused on other instruments. See our accompanying page detailing the flute exhibits at the 1862 Exhibition for more details on this trend. This observation is surely a reflection of two factors – one, that many of the competing designs which had so enlivened the 1852 event had fallen by the wayside by 1862; and two, that the flute had greatly fallen from public favour by 1862, a position from which it was not to recover for many decades. This had presumably led to a proportional decrease in the relative number of wind instrument manufacturers retaining a strong commercial interest in the flute – a higher proportion now appeared to be hedging their bets and concentrating on other instruments. Only three of the 1851 flute exhibitors had ceased operations in 1862, so the reduction in the number of flutes displayed in 1862 is more a reflection of reduced willingness to participate than of the winding-up of the firms concerned. No less than 8 firms appeared for the first time as flute exhibitors in 1862, although two of these (Clinton & Co. and Rudall, Rose, Carte & Co.) were following directly in the footsteps of predecessor concerns which had exhibited in 1851. This was not sufficient to offset the substantial reduction in numbers caused by the failure of a significant proportion of the still-active firms who had displayed flutes in 1851 to return in 1862. These figures reflect the fortunes of an instrument which had fallen on hard times ………… The following table showing all of the confirmed flute exhibitors in 1862 gives an overview of the situation:
Of these 22 flute exhibitors from 1862, 8 had not been in a position to exhibit in 1851. Of the remaining 14, no less than 9 had also chosen to exhibit flutes back in 1851. All but four of the 1862 participants had been in a position to exhibit in Paris in 1855 if they had chosen to do so, but only 9 of the 18 exhibitors from 1862 who were also active in 1855 had chosen to display flutes in that year’s event. Only 6 had displayed flutes at all three Exhibitions, and one of these was Böhm. Apart from Böhm and the Austrian Lausmann, only the French exhibitors in the above table had exhibited flutes in 1855. The flutes of the 1851 Exhibition, as well as those of the 1862 Exhibition, are detailed elsewhere. |
AcknowledgementsThanks to Adrian Duncan for assembling this analysis. |
Back to McGee-flutes Index page... Created 7 October 2006 |